Alternate Picking Lesson #1
In this lesson, we will be playing a descending run using the E half-whole diminished scale. To make things a little more interesting, we’ll also employ odd-note groupings; 16th note septuplets, in particular. Using these odd groupings can add some subtle spice to your lines, and I will expound upon their use in a later article.
Right now, let’s take a look at the run…
The first thing you’ll notice is the pattern the scale follows. Unlike the modes generated from the major scale, the diminished scales (either half-whole, or whole-half) contain two constantly repeating intervals. In this case, the intervals from the root (E) are a half-step, whole-step, half-step, whole-step, continuing as such until the end of time (or you run out of frets). So, you end up with 8 notes per octave, as opposed to the 7-note major scale modes. As such, some very intriguing lines can be generated.
Technically, it can be demanding to strictly pick odd-groupings. One point to keep in mind while playing the run slowly, is that if you start on the high-E string with a downstroke, when you get to the B string you’ll be starting with an upstroke. It will alternate like this as you cross all strings; G starts with a downstroke, D an upstroke, A a downstroke, E an upstroke. If you find yourself beginning each septuplet with a downstroke, you aren’t doing it right! So slow down, and be mindful that your alternate picking is kept completely strict.
I hope you’ve enjoyed this lesson. Do not hesitate to ask me any questions you have on this material; I’d be glad to help you! And if you particularly enjoy my take on the guitar, consider applying for one-on-one lessons. Though I will continue to post more tabbed licks and ideas here, in-person lessons are infinitely more valuable. E-mail me today!